Winds are created through the valleys on
either side of the house and move linearly, paralleling the length of the house.
Oversized, hinged double-doors open on either side of the living room which not
only invite the prevailing winds to flow uninterrupted through the interior
space, but also engender feelings of being outside. This feeling is dramatically
enhanced through the use of a floating orb fireplace, an infinity edge view, and
a concrete materiality which extends beyond the threshold to the pool. In
another are of the house, the corridor leading to the bedrooms has openings at
either end which facilitate an airflow past each room, and openings from each
room to the rear yard draw on the cool, moving air from the corridor through the
length of the house.
Due to the severity of slope and the
dense granite stone beneath the surface, minimal excavating was used. This
technique not only reduced expendable energy in operating machinery, but removed
only earth which could be reused in other areas of the project. For instance,
the excavated granite was decomposed and re-used to level drain pipes, under
concrete slabs, as a drainage field under the pool and as a walking surface for
the viewing deck above the garage. This is generally an expensive material for
the aforementioned uses, however, the material was free and the unnecessary
shipping of sands and other pulverized materials was minimized.
There was also a constant interest in
reducing emissions resulting from the transportation and importation of
materials, specifically those materials which are commonly used in bulk at
construction sites. While choosing furniture, fixtures and equipment is an
obvious avenue to reduce energy consumption throughout the life of the house,
the hidden elements of construction and structure were considered in this design
as well. Re-using the earth eliminated shipments of excavated earth out of the
site and reduced the shipments of other decomposed materials into the site.
California manufactured low-e glazing, steel, cmu blocks, and indigenous
aggregates support this initiative as well. Wood framing and wood flooring
leftovers were acquired from a nearby construction project and put to use in
this project, and to dress the landscape, low water consumption flora from a
residence to be demolished in the area was transplanted to this site as well.
Design Strategy; Folding, Framing and
An Architectural Pangaea
Both the main house and the guest house
are enclosed by a single folded surface with infill glazing and screened walls.
The objective of such a strategy is to capitalize on framing extrinsic
conditions and using the solid walls of the fold itself to affect the adjacent
spaces. Low-e glazing makes up the entirety of the North and Northeast faces of
the building and open up the interior to views of downtown Los Angeles, Laurel
Canyon and the San Fernando Valley. The building is oriented and planned in a
way that each room has at least one fully glazed wall to capitalize on these
dramatic views. The absence of one solid wall in each room also reveals the fold
as a framing device. On the Southwest facades of each building, the fold
maintains itself as a framing device, however in these instances as a screen
wall designed to shade the interior from harsh evening sun while providing
visual texture to the valley below.
The fold itself represents the only
solid exterior surfaces defining the form of the building and defining an edge
to adjacent exterior spaces. It is quite common that spaces surrounding a
building compliment the building itself however struggle to really become a
space in and of itself. The strategy for removing the guest house from the main
house and including an auto court in between stems from the idea that
complimenting forms which spatially could be perceived as once being united
allow the interstitial space between a sense of connection, if only visual. In
this design, the faces resulting from a separation in form created areas for
videos and films to be viewed. The deck above the garage is now a gathering
space for social events and a viewing platform for projections onto the Southern
face of the guest house. This interaction between the main house and the guest
house utilizes a normally singular and stagnant space in the auto court and
activates the solid surface of the fold through an engagement with the
surrounding space.
Conclusions
In an era of rapidly declining
environmental quality, and in a society which is evermore concerned with its
responsibility toward the situation, it’s become important to remember that very
simple things such as understanding site conditions or local climate patterns
are efficient methods of reducing architecture’s imposition on a landscape.
Considering the multiple sets of constraints imposed upon this site, and the
severity of such, achieving a residence of this quality for only $180 per square
foot should promote a creative shakedown within all designers to surface the
possibilities of designing quality and aesthetically pleasing structures which
are also sensitive to local and global conditions.
Credits:
Project Title: Skyline Residence
Year: 2007 Size:
5,800 ft2 Location:
8520 Skyline Dr. - Los Angeles, Ca 90046
Client(s): Skyline, LLC
Design Architect:
Belzberg
Architects Principal:
Hagy Belzberg Design
Team: Erik Sollom, Manish Desai
Construction Manager: Bill Bowen
Project Team: Barry Gartin, Brock DeSmit, Carina
Bien-WIllner, Dan Rentsch, David Cheung, Eric Stimmel, Erin McCook,
Ryan Thomas Structural
Engineer: Dan Echeto
Landscape Architects: Nicholas Budd Dutton Architects
General Contractor: Belzberg Architects
Furniture: Elizabeth Paige Smith
Special Fabrication: Spectrum Oak
Photography: Benny Chan of
Fotoworks
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